This elegant but unsettling horror film implicates the audience by placing us inside the head of the monster at its center, forcing us to see things in ourselves we don't wish to.
In this rigorously observed French drama, Isabelle Huppert delivers a searing performance. "In Huppert," says critic Ella Taylor, "deadpan meets tumult wreaking havoc within."
Director Pablo Larraín narrows the focus of his Jackie Kennedy biopic to a handful of days around the JFK assassination, and keeps his camera trained on Natalie Portman's expressive face.
Writer-director Johnny Ma's mordant tale of a taxi driver forced to cover the health costs of a man he ran over "shifts from docudrama to "black-hearted thriller," says critic Mark Jenkins.
Skin tone is only part of the challenge for an oft-tattooed customer who wants to see herself reflected in the "human canvases" of tattoo artists.
Before modern fan fiction, there were the Whitman Authorized Editions — a series of mystery novels from the 1940s and 50s that "starred" real movie stars, like Ginger Rogers and Gene Tierney.
In 1962, Peter — an African-American boy exploring his neighborhood after a snowstorm — broke the color barrier in mainstream children's publishing. A new book pays tribute to author Ezra Jack Keats.
Harold Lopez-Nussa was trained in the formidable classical music education system set up in Cuba after the revolution. He's among the first of his class to get a deal with a U.S. record label.
Incorporated is a new show on Syfy executive produced by Matt Damon and Ben Affleck. It imagines a dystopian future where corporations run the world, not governments. If you work for a corporation, you live an upper-middle class life. If you don't, you live in a slum.
Kenneth Lonergan's new film is about a janitor, crippled by guilt and grief, who returns to his hometown after the death of his brother.
Critic John Powers discusses the Italian documentary, Fire at Sea, and the novel, These Are the Names. The works take very different — but nonetheless poignant — approaches to the refugee situation.
The photographer, who also painted and sculpted, returned to the place of his youth every summer, chronicling the lives of old buildings and roadside businesses as they changed with age.
Matt Fraction and Christian Ward's splendidly trippy, genderbent retelling of the Odyssey sets the story in space, as warlike Odyssia, "witchjack and wanderer" winds her way home to far Ithicaa.
Clara Peeters, a 17th century Flemish painter, hid tiny self-portraits in her still life paintings. She wasn't a household name, then or now, and just 40 or so of her paintings have survived.
TV doesn't have the best track record with public transportation; in the '90s and early 2000s, even shows set in New York rarely showed characters on the subway or bus. Now, that's starting to change.
Visitors to the National Museum of American History can see artifacts like the bucket used to launch the ALS ice bucket challenge and how they played a role in charitable giving throughout history.
The beloved show Gilmore Girls returned to the screen last week. In a Netflix revival, the characters are facing new challenges, but one character has been seen as a disappointment: Rory Gilmore. Megan Garber of The Atlantic describes why.
Jones became an activist after Harvey Milk's assassination, and he lost countless friends to the AIDS epidemic. He says, "There are some days when it is so painful that I really can barely function."
The ability of an initially low-profile film like Moonlight to soar at the Gotham Awards is one of the times when awards prove they don't have to just be cynical back-patting exercises.
Jason Diamond tried to write a biography of John Hughes, director of classic '80s teen movies, but along the way, the story became more about his search for Hughes than the elusive filmmaker himself.