The chatty Sundance show The Writers' Room sheds a little light on how some of TV's more popular shows are brought into being.
Also: Exiled Romanian poet Nina Cassian has died; the real title of Hillary Clinton's forthcoming memoir; Gary Shteyngart retires from book blurbing.
Joan Chase's 1983 debut During the Reign of the Queen of Persia is a careful, layered account of a troubled family in rural 1950s Ohio, narrated by a quasi-Greek chorus of daughters and cousins.
In her memoir, A Fighting Chance, Warren reveals a childhood brush with bankruptcy, and reflects on hard-won political lessons.
Actress Tatiana Maslany talks with Morning Edition about the return of her BBC America series Orphan Black. On the show, she plays multiple roles, and advanced technology helps her pull it off.
The film Heaven Is For Real tries hard to be about faith, but mostly winds up being about not bothering anybody. It's a shame, because it's a lost opportunity to say something interesting.
On the eve of Easter and National Jelly Bean Day, let us probe the mysterious origins and unexpected ascendency of the humble candy. And to celebrate, we've sampled Jelly Belly's newest flavors.
The master of magic realism was the region's best-known writer. His novels were filled with miraculous events and characters; love and madness; wars, dreams and death. He died Thursday at 87.
Director Jonathan Teplitsky speaks about his film The Railway Man. It tells the true story of Eric Lomax, a British Army officer who was a prisoner of war during World War II at a Japanese labor camp.
Mike Judge's HBO sitcom pokes fun at programmers hoping to hit it rich. It's not the first time Judge has satirized the workplace — his 1999 cult film Office Space explored desk-job induced ennui.
CBS is planning a one-hour season finale for Robin Williams' The Crazy Ones. It was one of three sitcoms built around big established stars this season, all three of which suffered in the ratings.
Two new documentaries, DamNation and Manakamana, examine the natural world in very different ways. One concerns itself with action, and one far more with contemplation.
Critic Maureen Corrigan recommends two graphic novels — one about a Yiddish advice column in the early 1900s and another about a regiment of African-American soldiers who fought during World War I.
The new science fiction film Transcendence doesn't work very well as a story, but it's got an interesting way of trying to keep itself grounded in nature while exploring technological terrors.
"Selfie" may have been the 2013 word of the year. But "belfies," or "butt selfies" are now in the spotlight. We learn more about why they earned a fitness model a spread in Vanity Fair magazine.
Can a state law prevent political campaigns from doling out misinformation? Guest host Celeste Headlee learns more from The Plain Dealer's Sabrina Eaton.
Transcendence is the directorial debut of Wally Pfister, a celebrated cinematographer. While his visual sophistication is evident, so is his limited experience with storytelling.
Also: Nobel laureate Gabriel Garcia Marquez's health is said to be stable but "very fragile"; Dave Eggers' new book is called Your Fathers, Where Are They? And the Prophets, Do They Live Forever?.
Mimi Pond's graphic memoir is a rose (or in this case aqua) tinted recollection of her time waitressing at a bohemian diner in Oakland in the 1970s. Reviewer Etelka Lehoczky says it's a sweet tribute.
Ellah Allfrey reviews Kinder Than Solitude, by Yiyun Li.