In his new collection Etgar Keret recounts bittersweet and often humorous vignettes of life in the seven years between the birth of his son and the death of his father.
Napoleon is credited with the phrase "an army marches on its stomach," but he likely never said it. Now 200 years after his legendary defeat, it's worth recalling his disregard for feeding his army.
The face of public housing is changing in the U.S. In one of the biggest experiments, Chicago's Housing Authority has torn down most of its high-rise public housing units. For decades, they were home to thousands of residents who persevered even when the developments became overrun with crime and poverty. Now the American Theater Company is presenting The Projects, a documentary play about the hope, danger and changes that have occurred in public housing as told by current and former residents, gang members and scholars.
Movie critic Bob Mondello says The Tribe is about big things — love, violence — and made entirely in sign language without any subtitles, voiceovers, or translations of any sort.
Ballers feels like the football equivalent of the hip-hop world of Empire, and The Brink is reminiscent of Dr. Strangelove, but has its own modern take on the nonsense of war.
When Apatow was a teen he landed interviews with an impressive roster of comics for his high school radio show. Sick in the Head is a collection of those conversations, and more recent ones as well.
Professional Scrabble fan John D. Williams' new memoir is chock full of interesting tidbits (like lists of important words with Q, X and J) but gets bogged down in tedious biographical detail.
Aziz Ansari did a lot of demographic research — yes, you read that right — for his new book, and the result is an uneasy but occasionally entertaining hybrid of hard data and too-sparse comedy.
A new documentary revisits Florida's loud music murder case. Michael Dunn, a white man, shot 10 bullets into a car with four unarmed young black men during an argument at a Jacksonville gas station.
The painting by George Caleb Bingham became popular for its depiction of the 19th-century American experience. Now, it's the star of a new show at New York's Metropolitan Museum of Art.