Arnold's latest film, which won the Jury Prize at the 2016 Cannes Film Festival, tells the story of a group of abandoned teenagers who travel together selling magazine subscriptions door-to-door.
Producer Stephen Falk and actress Aya Cash discuss their FXX series about two self-centered people who fall in love. The characters are "stand-ins for the dark parts of all of us," Falk says.
HBO's latest series is a high-tech theme park, whose visitors get to live out their wildest dreams of being in the Old West. Critic John Powers calls Westworld an "unexpectedly resonant show."
Washington Post reporter David Fahrenthold says the Trump Foundation doesn't operate like a typical charity: "[Trump] doesn't seem to have understood that a charity isn't set up to benefit you."
Robert Kanigel's new biography recounts the life of Jacobs, a Greenwich Village public intellectual who championed street life and community. Critic Maureen Corrigan calls it a powerful work.
Rock historian Ed Ward takes us back to California's Redondo Pier, where Dennis Wilson and his cousin Mike Love first decided to write a song about surfing. The Beach Boys were formed soon afterwards.
Journalist Joshua Partlow was in Afghanistan from 2009 to 2012, a time of corruption, government dysfunction and civilian hostility to U.S. military operations. His new book is A Kingdom of their Own.
Peter Berg discusses his new film, which recreates the final hours of the oil rig that exploded and sank, causing the BP oil spill. Eleven rig workers died trying to prevent the disaster.
Though Olsen sets pain and frustration to music in her latest album, critic Ken Tucker says it's clear that the singer is "very much in control of her emotions and her life."
Fuqua discusses his remake of The Magnificent Seven. Critic John Powers reviews the ABC series, Designated Survivor. Opera singer Green recounts his journey to becoming an opera singer.
Critic David Edelstein says that despite its irresistible plot, Antoine Fuqua's remake of the 1960 classic Western is ultimately "just another formula revenge picture."
Karr discusses the faults of memory, the challenges of writing about loved ones and the pain of deleting pages because "there was something untrue about them." Originally broadcast Sept. 15, 2015.
Hanson also directed The River Wild, The Hand That Rocks the Cradle, 8 Mile and the TV movie Too Big to Fail. He died Tuesday in Los Angeles at the age of 71. Originally broadcast in 1997.
Before making Narcos, Eric Newman spent years researching Pablo Escobar's story. He says, "For us ... it was very important to show the most balanced look at the [drug] war we possibly could."
Antoine Fuqua's remake of the 1960 Western centers on a band of men who have volunteered to save a village from a greedy mine owner. Fuqua says it's a "simple story of [being] in service of others."
Sutherland plays a Cabinet member who becomes president after an explosion takes out the U.S. Capitol — and everyone above him in the pecking order. Critic John Powers has a review.
Albee made his debut as a Broadway playwright in 1962 with Who's Afraid of Virginia Woolf, which went on to win a Tony Award. He died Friday at the age of 88. Originally broadcast in 1984.
Ryan Speedo Green grew up in a trailer park and did time in juvenile detention before discovering he had a unique singing voice. He now performs at New York's Metropolitan Opera.
Married couple Rennie and Brett Sparks have been writing songs together for 21 years. Their latest album, Unseen, is based on their experiences living in the Southwest.
Ross explains why he's careful about the things he says during celebrity roasts. Critic David Edelstein reviews Oliver Stone's Snowden. Wambach discusses her new memoir, Forward.