Adlon's new FX series is based on her own experience raising three girls as a single mom. Her daughters are "very much a part" of the show, she says.
The media have used a variety of epithets to describe white working-class Trump supporters. Linguist Geoff Nunberg says these terms embody the class contention that is central to this year's election.
In 2013, the The Dap-Kings' lead singer took a hiatus from the band due to a cancer diagnosis. The documentary Miss Sharon Jones! follows her musical comeback. Originally broadcast July 28, 2016.
Jacqueline Woodson's new novel is Brooklyn. Ken Tucker reviews The Get Down's soundtrack. Kevin Whitehead reviews Unheard Bird. Jane Ziegelman and Andy Coe discuss the food of the Great Depression.
"My career has been up and down, and I like it much better being up," Liotta says. He plays a corrupt NYC police lieutenant on the NBC series Shades of Blue. Originally broadcast Jan. 12, 2016.
After his 1958 hit "Endless Sleep," Reynolds continued to record interesting music — though he never connected with the public in the same way again. Rock historian tells his story.
The unfinished work is a curious afterword to Potter's beloved catalog. But perhaps the best thing about The Tale of Kitty-in-Boots is that it will likely send readers back to Potter's original work.
Paulson, who has been nominated for an Emmy for her role in the FX series The People v. O.J. Simpson, says she set out to portray Marcia Clark in a "truthful way."Originally broadcast March 10, 2016.
The self-deprecating former host of Comedy Central's The Nightly Show talks about getting his start and finding humor in politics. Originally broadcast Feb. 19, 2015; Aug. 20, 2015 and May 16, 2016.
When he was 8, Wilder's mother had a heart attack and he took it upon himself to cheer her up. We'll listen back to a Fresh Air interview with the comic actor, who died Monday at age 83.
A new drama series on Netflix chronicles the rise of early hip-hop music in the late '70s. Rock critic Ken Tucker says the show's soundtrack is dense, complex and delightful.
"No matter what we've done, there comes a point where you think, ... 'When are they going to discover that I am, in fact, a fraud?' " Hanks says. Originally broadcast April 26, 2016.
Actor John Krasinski discusses The Office and his "lottery-ticket life." Ken Tucker reviews Lydia Loveless' latest solo album. Gretchen Bakke says America's current power grid is aging and unstable.
Richard Tanne's new film is a dramatization of Barack and Michelle Obama's first date in 1989. Critic David Edelstein says the movie's mix of politics and romance has a "naive kind of charm."
As she approached 60, the co-founder of Ms. magazine says, she entered a new phase in life, one in which "you can do what you want." Originally broadcast Oct. 26, 2015.
As one of the very first bebop tenor saxophonists, Teddy Edwards mixed awesome technique with irresistibly slinky phrases. Jazz critic Kevin Whitehead reviews two reissues, Inimitable and Feelin's.
Seth Freed Wessler reported on substandard medical care in privately-run prisons in the federal corrections system for The Nation, which may have led the Justice Department to phase out their use.
E. T. Mensah, who died 20 years ago, played highlife, an offshoot of jazz that for years was the most popular style of music in southern Africa. Milo Miles reviews a new anthology of Mensah's music.
Krasinski says he's thankful for his big break "every single day." Three years after the wrap of The Office, he continues to branch out — he's now directing and co-starring in the film The Hollars.
The singer-songwriter began performing at age 14 in a band with her sisters and her father. Critic Ken Tucker says the songs on Loveless' latest solo album, Real, have a "tough edge."