Brass, Reeds, and Percussion

Brass, Reeds, and Percussion is WLRH’s longest running program, started in 1976 by musician Darryl Adams,  and as the name suggests—is a program about music for the wind band (as opposed to the orchestra).  The program, hosted by John Hightower, features music composed for the instruments of the typical American high school band or the typical American military band. Brass, Reeds and Percussion also provides information about local wind-band performances, players, and history.

Brass, Reeds, and Percussion airs every Saturday at 1 p.m. Follow Brass, Reeds and Percussion on Facebook.


Darryl G. Adams, March 30, 1939 - October 18, 2011

Darryl Adams originated Brass, Reeds, and Percussion and used this hourly program to share a love of John Phillips Sousa marches, wind-band peformances, and seasonal celebrations.  (His St. Patrick's Day episode was always a hit.) He hosted the program from 1976 until his death 2011. WLRH's earliest roots thrive thanks to Darryl sharing his energy and talents with our Tennessee Valley listening community. Darryl was a rare champion for music who helped start one of WLRH's greatest traditions. We'll always be proud to have his association.

Local Wind Bands

Twickenham Winds

Brass Band of Huntsville

Rocket City Jazz Orchestra

Old Towne Brass

Huntsville Concert Band

Madison Community Band


Shoals Community Concert Band

The Rocketeers Drum and Bugle Corps


Local College Bands:

Alabama A&M University Band

University of Alabama in Huntsville Wind Ensemble

University of North Alabama Bands



High School Bands and Orchestras ... 

Bob Jones High School Band

Grissom High School Band

Huntsville High School Band

Meridianville Middle School Band

Hazel Green High School Band

Johnson High School Band

James Clemons High School Band

Austin High School Band

Sparkman High School Band

Lee High School Band

Buckhorn High School Band

Madison County High School Band

New Hope High School Band

If your musical organization is not listed on our page, please send contact information to John Hightower at

To arrange to have your event announced on BRP, e-mail John Hightower at or you can submit your non-profit event to our website. To arrange for a public service announcement to run throughout WLRH’s broadcast day, please submit your request on the WLRH PSA program page. 


Brass, Reeds, and Percussion (January 2, 2016)

Saturday, January 2, 2016

One of the war horses of band music is the Light Cavalry Overture, by Franz von Suppé. His father never encouraged von Suppé to become a musician, but the local bandmaster did.  Living from 1819 to 1895, he composed over four dozen operettas—hardly any of which are performed these days. Nevertheless, his music remains alive in three places:  transcriptions of his works into band music; on the program of pops concerts, such as those conducted by the Boston Pops; and in cartoons featuring Bugs Bunny, Popeye, Mickey Mouse, and Dudley Dooright.

Brass, Reeds, and Percussion (December 26, 2015)

Saturday, December 26, 2015

Shall we dance?  That’s the musical question Brass, Reeds, and Percussion answers today.  Indeed, we begin today’s edition with the composition by that name, composed by Richard Rodgers, who lived from 1902 to 1972.  Rodgers is one of only two popular music composers to win an Emmy, a Grammy, an Oscar, and a Tony.  In addition, Rodgers won a Pulitzer Prize for his work.  In preparation for New Years Eve, we begin Brass, Reeds, and Percussion with the Kokyo Kosei Wind Orchestra performing their version of Richard Rodgers’ Shall We Dance.


Brass, Reeds, and Percussion (December 19, 2015): Christmas Edition

Saturday, December 19, 2015

Advent is the liturgical season that emphasizes the expectant coming of the messiah.  The predominate feeling is one of anticipation, and advent hymn have been written for this period.  Today’s edition will feature Sleepers, Awake, written by Philip Nicolai, a Lutheran hymn composer and writer.  It was first published in 1599 and was made famous by Johan Sebatian Bach’s cantata Awake, Calls the Voice to Us, BWV 140.

Brass, Reeds, and Percussion (December 12, 2015)

Saturday, December 12, 2015

Wilhelm Zehle was a German wind-band composer of what are considered British marches.  How did that happen?  He participated in a march-writing competition sponsored by the British music publisher Boosey & Hawkes and won four times.  The British publisher gave his German marches patriotic British names to sell them, such names as "Viscount Nelson," "Trafalgar," and "Wellington."  Wilhelm Zehle lived from 1876 to 1956 and played trumpet and cornet in a German military band.  He went to China for Boxer Rebellion circa 1900.


Brass, Reeds, and Percussion (December 5, 2015)

Saturday, December 5, 2015

Machlast is an Austrian folk music band.  Well, actually, the band combines traditional German folk music with rock and roll.  So it’s more like the Beatles meets a German polka band.

Brass, Reeds, and Percussion (November 28, 2015)

Saturday, November 28, 2015

Synesthesia is the act of associated one sense with another, as in "That music sounds blue."  Gilbert Vinter, a British composer who lived from 1909 to 1969, wrote a synesthetic work called Spectrum in 1968.  In 1969, it was used as a test piece for the Brass Band contest sponsored by the Daily Herald newspaper.  Each section is named after a color:  red, orange, yellow, green blue, indigo, and purple; and it has violent mood swings.

Brass, Reeds, and Percussion: Thanksgiving Edition (November 21, 2015)

Saturday, November 21, 2015

Born in Boston in 1746, William Billings is one of America’s first major composers.  When his father died when Billings was 14, he became a tanner.  Musically, he was self taught and was apparently addicted to snuff. A contemporary described him as being of moderate size.  One leg was shorter than the other and he was blind in one eye.  Nevertheless, he spoke, sang, and thought as a manner above common abilities.  William Billings Thanksgiving Hymn is featured on today’s edition of Brass, Reeds, and Percussion.

Brass, Reeds, and Percussion (November 14, 2015)

Saturday, November 14, 2015

Sackbuts are the ancestors of trombones.  They typically have a smaller bore and a less flared bell.  Sackbuts are, in turn, the descendants of the slide trumpet, which first makes its appearance around 1420 in Italy.  Schawms are the ancestors of oboes.  The schawm has a cylindrical bore and uses a double reed.  It was imported into Europe around 800, probably from Muslim countries to the east.  It also resembles Indian, Chinese, and Japanese instruments from the same period.  Today's edition of Brass, Reeds, and Percussion begins with Renaissance wind-ban

Brass, Reeds, and Percussion (November 7, 2015)

Saturday, November 7, 2015

Vittorio Giannini was an Italian American born in Philadelphia in 1903.  His mother taught him how to play the violin.  His father was an opera singer as were his two sisters.  He composed at least two major operas and several radio operas.  After attending the Milan Conservatory in Italy, he received a graduate degree from the Juliard School in New York City.  He taught at the Manhattan School of Music and at the Curtis Music Institute in Philadelphia.  Among his students was Herbie Hancock, John Corigliano, and Alfred Reed.  In addition to composing operas, he composed sy

Brass, Reeds, and Percussion (October 31, 2015)

Saturday, October 31, 2015

Living from 1797 to 1857, Johann Gottfried Rode was director of the hunter guards band of the Prussian King.  He was the chief forest horn player.  Rode composed or arranged 2,935 pieces of music.  He introduced valve instruments into the Prussian military band.  We begin today’s edition of Brass, Reeds, and Percussion with one of Rode’s arrangements of a German melody from around 1763.  In English, it’s called the “Hunter from Kurpfalz.” Kurpfalz is the area of Germany that has the major cities of Heidelberg, Düsseldorf, and Mannheim.  Jager is the German word for

Brass, Reeds, and Percussion (October 24, 2015)

Saturday, October 24, 2015

Born in Ukraine in 1887, Sophie Tucker moved to the United States in approximately 1906.  She began her musical career around 10 years old by singing for tips in her parents restaurant in Ukraine. She was known as the last of the red hot mamas. In 1911, she had her first big hit:  "Some of These Days" with music and lyrics by Shelton Brooks.  Brooks was born in 1886 in Ontario, Canada.  He and his family moved to Detroit in 1901.  His first big hit, as a singer-songwriter, was also "Some of These Days."


Brass, Reeds, and Percussion (October 17, 2015)

Saturday, October 17, 2015

This edition features ballet music from the opera William Tell by Gioacchino Rossini, as well as music from the 1920s performed by Don Neely's Royal Society Jazz Orchestra of San Francisco.

Brass, Reeds, and Percussion (October 10, 2015)

Saturday, October 10, 2015

Klezmer is Jewish folk music, mostly Eastern European in origin. In Ukraine during the 1700s, Jews were forbidden from playing loud musical instruments. So Klezmer was originally played on stringed instruments, such as the violin and cymbalom. But in 1827, the Czar began to conscript Jews for the Russian military. And they were included in military bands. Thus, Klezmer ensembles began to include the instruments typical of the Russian military wind band. So that’s how, today, much Klezmer is wind music.

Brass, Reeds, and Percussion (October 3, 2015)

Saturday, October 3, 2015

The works of American, British, Irish, French, German, Austrian, Czech, and Thai wind-band composers are heard on this edition of Brass, Reeds, and Percussion

Brass, Reeds, and Percussion (September 26, 2015)

Saturday, September 26, 2015

A cortege is actually a procession.  Hence, it’s not really redundant to speak of a funeral cortege, but there can all sorts of other corteges as well.  For example, the students at the Chalmers University of Technology in Gothenburg, Sweeden, hold the Chalmers Cortege on April 30 every year.  Another cortege honoring Our Lady of Tear occurs in Kalfort, Belgium, in August every year.  This is a religious cortege than began around 1600 to honor a saint said to have the ability to cure eye diseases.

Brass, Reeds, and Percussion (September 19, 2015)

Saturday, September 19, 2015

Why is Octoberfest celebrated in September? Actually, it’s celebrated in both months. As a Bavarian holiday, it begins during mid September and ends on the first weekend of October. The celebration began in 1810 when then Crown Prince Ludwig, later King Ludwig I of Bavaria, married Therese of Saxe-Hildburghausen. The people of Munich celebrated the nuptials with wine, beer, food, and a big horse race. No doubt music was played and people danced as well. So today’s edition of BRP will feature German wind-band music.

Brass, Reeds, and Percussion (September 12, 2015)

Saturday, September 12, 2015

Today’s show is a gallimaufry, perhaps a pastiche, maybe a melange of music, mostly from German sources, but all wind music—because this is today’s edition of Brass, Reeds, and Percussion, a program devoted to the music of the wind band.  Today’s edition has music from an opera, music from a film, German polkas, marches for military units, and 1970s European disco hits.  We’ll begin with the "Telefunken March" probably composed in 1924 by Johannes Evert (or Everst).

Brass, Reeds, and Percussion (September 5, 2015)

Saturday, September 5, 2015

Aram Khachaturian was born in Georgia, the country, in 1903.  In 1921, he went to Moscow and studied at the Moscow Conservatory.  He composed a number of concertos, 3 symphonies, 2 ballets, and music for over 25 films.  Today’s edition of BRP features a wind-band arrangement of music from one of the films:  The Battle of Stalingrad.  The movie depicted the World War II battle, of course.  And the Battle itself began over 73 years ago on August 23, 1942.

Brass, Reeds, and Percussion (August 29, 2015)

Saturday, August 29, 2015

In 1853, Richard Wagner used a solo anvil in Das Rheingold. Apparently, this inspired a German military musician in his 20s to write a polka for solo anvil: “The Amboss Polka.” The musician was Albert Parlow, who lived from 1824 to 1888. Parlow was the first German Navy bandmaster and composed the first German Navy march “With Full Sail.” Eventually, he became the director of music for the Prussian Army as well. He made the acquaintance of Johannes Brahmas and arranged some of Brahams Hungarian dances for wind band.

Brass, Reeds, and Percussion (August 22, 2015)

Saturday, August 22, 2015

Today’s edition features the "Watermelon Man" by Herbie Hancock, a piece of wind-band music that started the boogaloo sound of the 1960s, but we will begin the show with a more traditional wind-band composition by John Morrissey, a music educator at Tulane University who lived from 1906 to 1993.  He received his master’s degree in music education from Columbia University.  In 1938 he joined the faculty of Tulane University, New Orleans, where he became professor of music and director of bands until his retirement in 1968.




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