Brass, Reeds, and Percussion

Brass, Reeds, and Percussion is WLRH’s longest running program, started in 1976 by musician Darryl Adams,  and as the name suggests—is a program about music for the wind band (as opposed to the orchestra).  The program, hosted by John Hightower, features music composed for the instruments of the typical American high school band or the typical American military band. Brass, Reeds and Percussion also provides information about local wind-band performances, players, and history.

Brass, Reeds, and Percussion airs every Saturday at 1 p.m. Follow Brass, Reeds and Percussion on Facebook.


Darryl G. Adams, March 30, 1939 - October 18, 2011

Darryl Adams originated Brass, Reeds, and Percussion and used this hourly program to share a love of John Phillips Sousa marches, wind-band peformances, and seasonal celebrations.  (His St. Patrick's Day episode was always a hit.) He hosted the program from 1976 until his death 2011. WLRH's earliest roots thrive thanks to Darryl sharing his energy and talents with our Tennessee Valley listening community. Darryl was a rare champion for music who helped start one of WLRH's greatest traditions. We'll always be proud to have his association.

Local Wind Bands

Twickenham Winds

Brass Band of Huntsville

Rocket City Jazz Orchestra

Old Towne Brass

Huntsville Concert Band

Madison Community Band


Shoals Community Concert Band

The Rocketeers Drum and Bugle Corps


Local College Bands:

Alabama A&M University Band

University of Alabama in Huntsville Wind Ensemble

University of North Alabama Bands



High School Bands and Orchestras ... 

Bob Jones High School Band

Grissom High School Band

Huntsville High School Band

Meridianville Middle School Band

Hazel Green High School Band

Johnson High School Band

James Clemons High School Band

Austin High School Band

Sparkman High School Band

Lee High School Band

Buckhorn High School Band

Madison County High School Band

New Hope High School Band

If your musical organization is not listed on our page, please send contact information to John Hightower at

To arrange to have your event announced on BRP, e-mail John Hightower at or you can submit your non-profit event to our website. To arrange for a public service announcement to run throughout WLRH’s broadcast day, please submit your request on the WLRH PSA program page. 


Brass, Reeds, and Percussion (January 13, 2018)

Saturday, January 13, 2018

Wind band music can sometimes be a repository of obscure opera music. This edition of Brass, Reeds, and Percussion demonstrates that point by featuring three marches from operas by Francois Boieldieu, Giacomo Meyerbeer, and Friedrich von Flotow.

Brass, Reeds, and Percussion (January 6, 2018)

Saturday, January 6, 2018

This edition of Brass, Reeds, and Percussion features the Pasadena Roof Orchestra performing music by Rodgers and Hart.

Brass, Reeds, and Percussion (December 30, 2017)

Saturday, December 30, 2017

The traditional Brass, Reeds, and Percussion show for New Year’s is to visit the wind-band cha-cha palace. That is, we play dance music performed by wind bands. Today’s show starts with a song that says “I Can’t Dance,” composed in 1934 by Charlie Gaines and Clarence Williams. Of course, you can dance to this song. In addition to 1930s music, the show has music from the 1980s and pasodobles, a waltz, a polka, and even a foxtrot arranged by Dmitri Shastokovich.

Brass, Reeds, and Percussion (December 23, 2017)

Saturday, December 23, 2017

This edition of Brass, Reeds, and Percussion has Christmas music dating back to 1120 with the most recent composition coming from 2002. Don’t expect to hear your usual Christmas music on this edition. Even though tomorrow is Christmas Eve, we are still in the liturgical period known as advent. So we’ll start with one of the most popular of Advent hymns: “Lo! He Comes With Clouds Descending.” In fact, this hymn is considered one of the four greatest Anglican hymns.

Brass, Reeds, and Percussion (December 16, 2017)

Saturday, December 16, 2017

This edition of Brass, Reeds, and Percussion features a concertino for English horn, an instrument that is neither English nor a horn.

Brass, Reeds, and Percussion (December 9, 2017)

Saturday, December 9, 2017

A little Advent music, a little Christmas music, and music played on a Ukrainian woodwind instrument you’ve probably not heard before on this edition. The instrument is called a sopilko.

Brass, Reeds, and Percussion (December 2, 2017)

Saturday, December 2, 2017

A little Advent music, a little Christmas music, and a little bongo music from Perez Prado on this edition of Brass, Reeds, and Percussion.

Brass, Reeds, and Percussion (November 25, 2017)

Saturday, November 25, 2017

This episode recognizes the WW I Battle of Cambrai, which was underway at this time 100 years ago. The battle started on November 20 and ended on December 17, 1917. It is famous for several reasons, but primarily because it’s considered the first major tank battle. For us Americans, it’s important because it’s the first battle of WW I in which the American Expeditionary Force suffered casualties.

Brass, Reeds, and Percussion (November 18, 2017)

Saturday, November 18, 2017

Most of us know Charlie Chaplin because of his silent films, especially The Tramp, made in 1915. And probably most of know him as an actor, but Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. So today’s edition of Brass, Reeds, and Percussion features music composed by Charlie Chaplin and arranged for performance by wind band. But we’ll open the show with the U.S. Marine Band performing one of Karl L. King’s greatest hits: “The Purple Pageant.”

Brass, Reeds, and Percussion (November 11, 2017)

Saturday, November 11, 2017

This year’s celebration of Veteran’s Day is special because 100 years ago (this year), the United States entered World War I. This edition of Brass, Reeds, and Percussion therefore honors our veterans by airing music written during or popular during World War I—or the Great War, as it is often called. In recognition of other wars, we have not been able to air recordings made during or near the war being recognized. But World War I is different.

Brass, Reeds, and Percussion (November 4, 2017)

Saturday, November 4, 2017

This edition features tower music. Perhaps the most famous composer of tower music is Johann Pezel.

Brass, Reeds, and Percussion (October 28, 2017)

Saturday, October 28, 2017

A march is usually in two-four time and waltz is in three-four time. That’s like two halves of a pie versus three thirds of a pie. The parts won’t quite match up. However, from time to time, music in three-four time has been converted to two-four time. Today’s edition of Brass, Reeds, and Percussion features a waltz converted to a march. The waltz, called “The Roses,” was composed by Olivier Metra who lived from 1830 to 1886.

Brass, Reeds, and Percussion (October 21, 2017)

Saturday, October 21, 2017

Generally, Brass, Reeds, and Percussion is a program about music with few strings attached, but the this edition features a German folk band that includes a harp. Well, we have aired a good of bit wind-band music that includes banjoes and guitars. And even the wind band of the classical period frequently used a string bass to strengthen the bass line of the music. That’s understandable when we realize the tuba hadn’t been invented yet.

Brass, Reeds, and Percussion (October 14, 2017)

Saturday, October 14, 2017

Getty Herschel Huffine was born in 1889 in Bowling Green, Kentucky, and was working at an ax-handle factory when the town band was organized in 1907. When he first played in the band, he had to play a valve trombone, but eventually taught himself how to pay the tuba, slide trombone, trumpet, and string base. After 5 years in the town band, he apparently worked for a while in circus bands, but eventually settled in Binghampton, New York, where he was a member of the Endicott Johnson Shoe Company Band.

Brass, Reeds, and Percussion (October 7, 2017)

Saturday, October 7, 2017

Wind-band music, just as much as today’s popular music, has one-hit wonders. Today’s edition of Brass, Reeds, and Percussion opens with a one-hit wonder from Detroit: Walter Halson Boorn, who lived from 1906 to 1959. His one-hit wonder is the “Queen City March,” probably written to honor Cincinnati, Ohio, the home of his music publishers. On today’s edition, you’ll also hear a percussion arrangement of Pachelbel’s Canon performed by the All Star Percussion Ensemble.

Brass, Reeds, and Percussion (September 30, 2017)

Saturday, September 30, 2017

We open today’s show with song made popular in 1925 by Ethel Waters. Since that time, it’s been performed and recorded by Josephine Baker, Cab Calloway, Bing Crosby, the Mills Brothers, Duke Ellington, Fats Waller, and the Temperance Seven—a British 1920s revival band that became popular in the 1960s. Today’s show opens with a 1960s recording by the Temperance Seven and features an unusual percussion instrument: the spoons.

Brass, Reeds, and Percussion (September 23, 2017): Music of Julius Fucik

Saturday, September 23, 2017

In the United States, Julius Fucik is primarily known for one composition: “Entry of the Gladiators.” In the early part of the 20th century, circuses used it to introduce clown performances. But Fucik was a far more prolific composer, with over 400 compositions. He was born in Prague in 1872. At age 13, he began to attend the Prague Conservatory, where studied under Anton Dvorak. Eventually he a became military bandsman and band director. Fucik died on September 25, 1916. So today’s edition is devoted to commemorating the 101st anniversary of his death.

Brass, Reeds, and Percussion (September 9, 2017)

Saturday, September 9, 2017

The Temperance Seven was founded in 1955 at Chelsea School of Art in London to play 1920's music. In 1961, the band made it to number one on the British popular charts with “You’re Driving Me Crazy,” which will open today’s edition of Brass, Reeds, and Percussion. From its name, you might think the band has seven members, but in actuality they have nine members because they want to be considered intemperate by practicing the opposite of temperance. The band was very popular from about 1961 to 1965, when it broke up.

Brass, Reeds, and Percussion (September 2, 2017)

Saturday, September 2, 2017

In 1895, Britain had the scandalous trial of Oscar Wilde. In 1906, Germany had the Harden-Eulenberg affair. Harden was the journalist who reported the relationship between a German diplomat Prince Philipp Eulenberg and a German general Count Kuno von Moltke. Curiously, both were musicians. Eulenburg composed songs; Moltke, marches. Moltke’s two most famous compositions are the “Great Elector’s Cavalry March” and the “Slow March of the Cuirassiers.”

Brass, Reeds, and Percussion (August 26, 2017)

Saturday, August 26, 2017

Henry Mancini was born in the Little Italy neighborhood of Cleveland, Ohio, and was raised near Pittsburgh, in the steel town of West Aliquippa, Pennsylvania. His father was a steel worker and required Mancini to begin piccolo lessons when he was 8 years old. At age 12, he began piano lessons. He played flute in the Sons of Italy Wind Band and was a member of a U.S. Army band during WW II. After WW II, he worked as an arranger for the Glenn Miller Orchestra. By 1952, he was in Hollywood writing music for movies.




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