© 2024 WLRH All Rights Reserved
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Brass, Reeds, and Percussion: February 10, 2024 (Mardi Gras)

To celebrate Mardi Gras and Black History Month, this edition of Brass, Reeds, and Percussion features remastered Dixieland recordings from the 1920s and 1930s. Robert Parker, an Australian sound engineer, has processed and remastered a number of old 78-rpm recordings so that they almost sound like modern recordings. Regardless, the fidelity is tremendously improved. We will have a number of selections from his compact disc entitled “New Orleans: Jazz Classics in Digital Stereo.” Today, you will hear at least two original recordings by the 1930s reincarnation of the New Orleans Rhythm Kings, one of the few jazz bands known by their initials: N.O.R.K. The other is the Original Dixieland Jazz Band: O.D.J.B.

  1. My Monday Date
    Composer:  Earl Hines (1903-1983)
    Performer:  Treme Brass Band
    Album:  Treme Traditions
      
  2. Indian Summer
    Composer:  Victor Herbert (1859-1924)
    Performer:  Sidney Bechet & His Band
    Album:  Sidney Bechet, Vol. 3, 1938-1941
      
  3. Mr. Jelly Lord (1923 recording)
    Composer:  Jelly Roll Morton (1890-1941)
    Performer:  New Orleans Rhythm Kings
    Album:  New Orleans: Great Original Performances 1918-1934
      
  4. Panama (1934 recording)
    Composer:   William Henry Tyers (1870-1924)
    Performer:  New Orleans Rhythm Kings
    Album:  New Orleans: Great Original Performances 1918-1934
      
  5. Panama (1992 recording)
    Composer:  William Henry Tyers (1870-1924)
    Performer:  Dukes of Dixieland
    Album:  Salute to Jelly Roll Morton
      
  6. Duet Stomp (1929 recording)
    Composer:  Sidney Arodin (1901-1948) & Davey Jones (1888-1956)
    Performer:  Jones & Collins Astoria Hot Eight
    Album:  New Orleans: Great Original Performances 1918-1934
      
  7. Damp Weather (1929 recording)
    Composer:  Albert Morgan (1908-1974) & Emanuel Sayles (1907-1986)
    Performer:  Jones & Collins Astoria Hot Eight
    Album:  New Orleans: Great Original Performances 1918-1934
      
  8. Sizzling the Blues (1928 recording)
    Composer:  Joe Capraro (?)
    Performer:  Monk Hazel's Bienville Roof Orchestra
    Album:  New Orleans: Great Original Performances 1918-1934
      
  9. Git Wit It (1928 recording)
    Composer:  Sidney Arodin
    Performer:  Monk Hazel's Bienville Roof Orchestra
    Album:  New Orleans: Great Original Performances 1918-1934
      
  10. Ideas (1928 recording)
    Composer:  Sharkey Bonano (1904-1972)
    Performer:  Monk Hazel’s Bienville Roof Orchestra
    Album:  New Orleans: Great Original Performances 1918-1934
      
  11. Cushion Foot Stomp (1927 recording)
    Composer:  Clarence Williams (1898-1965)
    Performer:  Clarence Williams Washboard Five
    Album:  Clarence Williams Collection
      
  12. St. James Infirmary
    Composer:  Traditional
    Performer:  Joe "King" Oliver & His Band
    Album:  New Orleans Blues, Soul, and Jazz Gumbo
      
  13. St. James Infirmary
    Composer:  Traditional
    Performer:  Dr. Michael White
    Album:  Adventures in New Orleans Jazz, Part 2
      
Born in Natchez, Mississippi, in 1951, John moved to Huntsville in 1975, where he worked for a communications training firm. From 1997 to 2022, John worked for the Lanier Ford law firm. During his tenure, He served as Lanier Ford's law librarian, marketing specialist, trainer, and professional recruiter. While in college and law school, John worked in professional radio in Starkville and Oxford, Mississippi.